Raranga – the art of weaving

Posted by Bridget Orman - August 23, 2019 7:23 PM
Māori creative arts like weaving and carving celebrate the past and continue to evolve through fresh inspiration and new materials. Raranga – the art of weaving When Māori first arrived in Aotearoa, they encountered a climate that was extreme compared to their homelands in Polynesia. They adapted quickly by utilising their existing twining and weaving skills to produce korowai (cloaks) and other practical objects such as kete (baskets) and whāriki (mats). The most widely used weaving material was (and still is) harakeke - otherwise known as New Zealand flax. Weaving women Weaving is traditionally done by women and skilled weavers are prized within their tribes. 'Aitia te wahine o te pā harakeke' is a Māori proverb that translates to mean 'Marry the woman who is always at the flax bush, for she is an expert flax worker and an industrious person'. Cloaks of beauty Traditionally, cloaks were woven by hand between two upright weaving pegs. Feathers and decorative threads were integrated into the fabric as the weaving progressed. Natural dyes were used to achieve a variety of colours; paru (swamp mud) was used to achieve a black tone and tanekaha (bark) produced brown. The kahu kuri was the most prized of cloaks, incorporating strips of dog skin. The kuri (native Polynesian dog) came to New Zealand with the first Māori. Kahu kuri were only worn by rangatira (chiefs).
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